5 Best microphone kits

Microphone kits for easy operation

Dynamic microphones are devices that are used to record sound. In modern systems, it is customary to use professional kits consisting of a microphone and accessories to it. In some cases, the kit is complemented by an acoustic screen, an antivibration holder, and also acoustic screens or racks, etc.

What are the microphone kits? The following characteristics of the kits can be distinguished:

  • dynamic microphones included in the kit provide high-quality audio;
  • strong metal structures guarantee reliable installation;
  • the system provides a low noise level.

Modern models are designed specifically for use in studios and home environments. Using such kits, you can get the result of high quality with minimal costs. Some kits include a condenser microphone. This device is designed to record the main vocal, various acoustic guitars, as well as for percussion, string instruments. Microphones remarkably convey the sounds of female and male vocals. Let’s look at 5 Best microphone kits.


 

Nady DMK-7

A set of microphones for the drumming of percussion DM 70 (4 pcs.), DM 80 (1 pc.), CM 88 (2 pcs.), in a plastic case.

DM 70:

Dynamic microphone, designed specifically to withstand extreme levels of sound pressure. Excellent for use in the field of the studio recording of percussion, percussion, copper and woodwind instruments at close range. The microphone is compact in size, hiding it from the eyes of an outside observer, as well as a strong cast zinc housing to protect against possible mechanical influences. Cardioid focus reduces the sensitivity of the microphone to the sounds of neighboring instruments.

It is recommended for the removal of small drums, volumes, percussion, copper and woodwind instruments.

Characteristics:

  1. Microphone type: dynamic.
  2. Pattern: cardioid.
  3. Frequency response: 70 – 16000 Hz.
  4. Sensitivity: -73 dB.
  5. Impedance: 600 Ω.
  6. Max. sound pressure:> 130 dB.
  7. Connection: XLR.

DM 80:

Dynamic microphone, designed specifically to withstand extreme levels of sound pressure. Excellent for use in the field of studio recording of percussion instruments from close range. The microphone has compact dimensions, hiding it from the eyes of an outside observer, as well as a high-strength and durable cast zinc housing to protect against possible mechanical influences. Cardioid focus reduces the sensitivity of the microphone to the sounds of neighboring instruments.

The microphone has a higher return in the low-frequency range and is recommended for the removal of the barrel and bass drums.

Characteristics:

  1. Microphone type: dynamic.
  2. Pattern: cardioid.
  3. Frequency response: 30 – 15000 Hz.
  4. Sensitivity: -72 dB.
  5. Resistance: 250 Ohm.
  6. Max. sound pressure:> 140 dB.
  7. Connection: XLR.

CM 88:

High-quality condenser microphone, designed to sound instruments. It has a cardioid pattern and a wide frequency range, which allows you to record sound with maximum quality. The device has gold-plated connectors, requires phantom power 9-52 V.

The microphone has a wide range of applications: live performances (vocals, instruments), sound recording and broadcasting.

Characteristics:

  1. Microphone Type: Condenser.
  2. Pattern: cardioid.
  3. Frequency response: 50-18000 Hz.
  4. Sensitivity: -45 dB.
  5. Impedance: 200 Ohm.
  6. Max. sound pressure: 136 dB.
  7. Signal to noise ratio:> 60 dB.
  8. Connection: XLR.
  9. Phantom power: 9-52 V.

Rode NT1 KIT

At the heart of NT1 is the capsule HF6. The HF6 capsule is an excellent example of branded RODE capsules, which are an alloy of engineering and technological art and have excellent classical musical sound and an extremely low level of their own noises. The microphone capsule is located on a patented Lyre suspension from Rycote®. The suspension provides insulation from noise in the capsule in all three planes.

The Dual Lyre microphone suspension system developed by RODE engineers has significantly higher characteristics in reducing foreign vibrations. The latest high-quality circuitry has made it possible to achieve one of the best in the world in terms of its own noise level among studio microphones. The microphone is great for recording male and female vocals, vocal group, acoustic and electric guitar, string plucked pianos, percussion, various drums and drum sets, bass drum, snare drum, volumes, guitar and bass guitar combos.

NT1 is available in two versions – as a kit with an anti-vibration SMR suspension and a pop-filter (NT1-KIT), and as a microphone with a rack mount RM2 (NT1-SINGLE).

Characteristics:

  1. Acoustic principle: pressure gradient receiver.
  2. Cap: HF6, with gold-plated membrane 1 “.
  3. Active electronics: JFET resistance converter with the bipolar output stage.
  4. Pattern: cardioid.
  5. Frequency range: 20 Hz – 20 kHz.
  6. Output impedance: 100 Ohm.
  7. Equivalent noise level: 4.5 dBA SPL (IEC651).
  8. Maximum output signal: +8 dBu (1kHz, 1% THD at 1kΩ load).
  9. Sensitivity: -29 dB 1V / Pa (35mV @ 94 dB SPL) + – @ 1 kHz.
  10. Dynamic range: 128 dB SPL.
  11. The maximum sound pressure level (SPL max): 132 dB.
  12. Signal to noise ratio: 90 dBA SPL (as per IEC651).
  13. Power requirements: 24 V phantom power or 48 V phantom power.
  14. Output connector: 3-pin XLR, balanced output between pin2 (+), pin3 (-) and pin1 (ground).

BEHRINGER C-2

Behringer C2 – compact condenser microphones, which are perfect for non-critical sessions of stereo recording in a studio or in any other operating conditions. Behringer C2 sound bright and clean, however, have a clear tendency to distort too close and strong sources of sound. This nuance is partially balanced by the attenuator and low-frequency cuts present on the microphones, however, when recording sound sources such as wind or percussion instruments on the Behringer C2, it is recommended that you be particularly careful and accurately adjust the sound before recording.

Another serious disadvantage of these microphones is the rather noticeable level of background noise. So if you are recording an insufficiently loud signal, you are likely to encounter a problem of strong background noise.

Cardioid Direction of Behringer C2 is very well suited for stereo recording on the XY system. For large instruments, such as a grand piano, this method can give the recording a rather interesting panning effect. By the way, in the kit with microphones, we will find a special microphone holder for installing Behringer C2 on the microphone stand on the XY system, as well as windproof attachments. The kit comes in a convenient for transportation and storage plastic case.

As for the build quality, we can safely say that Behringer C2 is really well assembled (the manufacturer’s warranty is 3 years!). The body of cast metal and other structural elements look very good and do not leave the unpleasant feeling that “a Chinese microphone will crumble in his hands.”

In general, Behringer C2 will be a good choice for beginning sound engineers, uncritical field or studio recordings, and as a spare kit. The highest recording quality and the best result these microphones will show when recording acoustic guitars, string ensembles, and other acoustic instruments with an average dynamic range. Another possible area of their application is a drum overhead record – here the microphones are worked out to full, giving a full and precisely balanced sound.

Conclusion about Behringer C2 can be the following: of course, you can find a more serious and professional stereo pair but for that incredibly low price for which you can buy Behringer C2, these microphones look like a gift! In the end, a couple of inexpensive good microphone guns will never be superfluous, will not it?

Features:

  1. A matched pair of two small condenser microphone guns for recording a stereo signal.
  2. Cardioid pattern.
  3. A special lightweight diaphragm to achieve an extended frequency range.
  4. Bass cut switch + input attenuator.
  5. Body made of cast metal.
  6. Gold-plated three-contact XLRaudio connectors.

Sennheiser EW 145 G3-A-US

Sennheiser EW 100-935 G3-A-US  – radio system kit with hand-held vocal microphone (516-558 MHz), radio frequency range A (516-558 MHz). The kit consists of a hand-held SKM 100-935 G3 microphone transmitter and an EM100 G3 receiver. All handheld transmitters of the EW 100 series are equipped with microphone heads of the professional series of E 900. Vocal sounded with the SKM 100-935 G3 transmitter is easily “cut” in the mix even at very high volume levels on the stage. The transmitter is easily synchronized with the receiver via the IR interface by simply pressing a button. The receiver with True Diversity technology is equipped with a graphical display with backlighting, information on which is easy to read in any lighting.

Kit of delivery:

  1. Rack receiver EM 100 G3.
  2. Hand transmitter SKM 100-935 G3.
  3. Microphone holder MZQ 1.
  4. Rack adapter GA 3.
  5. The network power unit NT 2.
  6. Antennas (2 pcs.).
  7. AA Batteries (2 pcs.).

Receiver EM 100 G3

A new rugged rack receiver with advanced functions and reliable reception is ready for any, the most stringent operating conditions. The Sound Check function will help you to monitor the reception conditions of the signal at any time. 20 frequency banks with 12 presets each, plus one programmable bank will allow you to easily manage multi-channel systems.

Functional features:

  1. Durable metal housing.
  2. The 42 MHz bandwidth (1680 tunable frequencies).
  3. The expanded system of frequency banks (12 frequencies in each).
  4. True Diversity system for the reliable signal reception.
  5. Controlled by the pilot-tone squelch scheme to protect against RF interference with the transmitter turned off.
  6. Automatic scan function for searching for a free channel.
  7. Extended range of reproducible frequencies.
  8. Extended sensitivity range.
  9. Synchronization of transmitters via the infrared interface.
  10. User-friendly control menu with sublevels.
  11. Graphic display with backlight.
  12. Auto-Lock helps prevent accidental changes in settings.
  13. Crystal clear sound thanks to the HDX compander system.
  14. 4-segment battery discharge indicators.
  15. Soundcheck for monitoring signal reception conditions.
  16. Preset EQ and guitar tuner.
  17. A wide range of accessories for adaptation to any task.

Handheld Microphone Transmitter SKM 100-935 G3

SKM 100-935 G3 hand transmitter with professional vocal dynamic cardioid microphone head combines excellent acoustic properties with natural, open sound, which provides excellent vocal intelligibility. The transmitter is easily synchronized with the receiver via the IR interface by simply pressing a button.

Functional features

  1. Durable metal housing.
  2. Shockproof construction.
  3. Extended system of frequency banks (32 frequencies each).
  4. Controlled by the pilot-tone squelch scheme to protect against RF interference with the transmitter turned off.
  5. Extended range of reproducible frequencies.
  6. Extended sensitivity range.
  7. Synchronization with the receiver via the IR interface.
  8. User-friendly control menu.
  9. Graphic display with backlight.
  10. Auto-Lock helps prevent accidental changes in settings.
  11. Crystal clear sound thanks to the HDX compander system.
  12. 4-segment battery discharge indicator.
  13. Mute function.
  14. Contacts for charging batteries on the case.
  15. A wide range of accessories for adaptation to any task.

SHURE DMK57-52

The SHURE DMK57-52 mic kit consists of three SM57 microphones with A56D mounts, one Beta 52 microphone, and a sturdy case, the DMK57-52 kit is a complete kit for voice recording both on stage and in the studio. The most sold in America microphone SM57 for decades successfully reproduces the sounds of snare drum and volumes. Magnificent Beta 52 is designed for sounding a large drum and with the help of special fastening, it is easy to install and securely fixed in the required position. The A56D is a versatile and reliable system for attaching microphones to percussion instruments. The SHURE DMK57-52 set is a great combination of the highest audio performance and reasonable price.

Specifications SHURE DMK57-52:

The set of microphones includes:

  1. 3 microphones SM57, (Frequency range 40Hz-15kHz).
  2. 1 microphone Beta 52, (Frequency range 20Hz-10kHz).
  3. 3 mounts A56D.
  4. Transportation case.

Check this: Best microphone cases

The kit can also include the following elements:

  • antivibration holder: an important element of the kits (designed to protect the capsule from vibrations);
  • metal pop filter (metal mesh with a cloth coating): prevents moisture and dirt from entering the microphone;
  • microphone cable: provides signal transmission without loss of quality.

For professional recording, it is recommended to use microphones with a large aperture. They are designed specifically to capture the finest elements of vocals. Frequency range, the shape of capsules are designed by manufacturers in accordance with modern audio standards. Due to the low noise level, wide frequency range, the equipment can be used for recording voice, instruments.

The kits are compact in size. Thanks to this, the installation can be easily transferred. This feature is important for those musicians who are constantly sent to work trips, business trips. To get started using the system, just connect the microphone to the computer, start the program and start recording vocals. The process of using the equipment is extremely simple. A wide range of kits will allow you to choose the best option for performing various tasks.

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